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Adam Hulbert

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Video synthesis speed patching #1

- Shapes/ramps from Rampes are sent to a 1st Cadrans set as crossfaders (white cables)

- Slow modulation from VHS Baja is going to 1st Cadrans CV inputs (purple cables)

- Outputs of 1st Cadrans going to Solaire for mixing/solarizing (green cables)

- Outputs of Solaire going to a 2nd Cadrans for final color balance/inversion/negative space (black cables)

- Outputs of 2nd Cadrans going to Sortie for RGB encoding to 720p60 Component (orange cables)

Video sped up 3 times, and capture is tilted 90°

#analogvideo #analogvideosynthesis #videosynthesis #videoart #eurorack #vhsbaja #syntonierampes #syntoniecadrans #syntoniesolaire #syntoniesortie #syntonie

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Jul 1

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Video synthesis speed patching #1 - Shapes/ramps from Rampes are sent to a 1st Cadrans set as crossfaders (white cables) - Slow modulation from VHS Baja is going to 1st Cadrans CV inputs (purple cables) - Outputs of 1st Cadrans going to Solaire for mixing/solarizing (green cables) - Outputs of Solaire going to a 2nd Cadrans for final color balance/inversion/negative space (black cables) - Outputs of 2nd Cadrans going to Sortie for RGB encoding to 720p60 Component (orange cables) Video sped up 3 times, and capture is tilted 90° #analogvideo #analogvideosynthesis #videosynthesis #videoart #eurorack #vhsbaja #syntonierampes #syntoniecadrans #syntoniesolaire #syntoniesortie #syntonie

I’ve been asked about how Stable and Solaire looks when patched together, so here we are!

Solaire is based around full wave rectifiers, which when applied to video, produces an effect known as solarization. It makes the picture brightness « fold on itself », and it is here used as modulation on Stable parameters.

In the second part of the video, the post-processor output of Stable is used instead of the pre-processor output, creating a feedback loop and Solaire having quite a high gain (up to 16 times), it produces a lot of noise (let’s see how it get through Instagram compression).

Recorded in Composite PAL/576i50.

#analogvideo #videoart #glitchart #analogglitch #analogvisuals #eurorack #syntoniestable #syntoniesolaire

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Jun 25

Open

I’ve been asked about how Stable and Solaire looks when patched together, so here we are! Solaire is based around full wave rectifiers, which when applied to video, produces an effect known as solarization. It makes the picture brightness « fold on itself », and it is here used as modulation on Stable parameters. In the second part of the video, the post-processor output of Stable is used instead of the pre-processor output, creating a feedback loop and Solaire having quite a high gain (up to 16 times), it produces a lot of noise (let’s see how it get through Instagram compression). Recorded in Composite PAL/576i50. #analogvideo #videoart #glitchart #analogglitch #analogvisuals #eurorack #syntoniestable #syntoniesolaire

Now using Isohélie as a processor for Détail self-modulation, yielding those « paint-by-number » kind of effects.

Recorded in Composite NTSC 480i59.94

Isohélie is currently out of stock on Syntonie website, a new batch is on the way. However, if you’re looking for one right now, there is probably some available at retailers.

#analogvideo #videoart #analogglitch #glitchart #eurorack #syntoniedetail #syntonieisohelie #syntonie

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Jun 22

Open

Now using Isohélie as a processor for Détail self-modulation, yielding those « paint-by-number » kind of effects. Recorded in Composite NTSC 480i59.94 Isohélie is currently out of stock on Syntonie website, a new batch is on the way. However, if you’re looking for one right now, there is probably some available at retailers. #analogvideo #videoart #analogglitch #glitchart #eurorack #syntoniedetail #syntonieisohelie #syntonie

Luma keying is a good way to constrain effects to certain parts of the source image.

Here, Détail pre-filter output is connected to Seuils which generates hard keys out of it, with each channel of Seuils controlling each of the parameters of Détail.

Recorded in Composite NTSC 480i59.94.

Let me know in the comments if there is any module combinations you’re curious about!

#analogvideo #videoart #eurorack #analogglitch #glitchart #syntonie #syntoniedetail #syntonieseuils

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Jun 19

Open

Luma keying is a good way to constrain effects to certain parts of the source image. Here, Détail pre-filter output is connected to Seuils which generates hard keys out of it, with each channel of Seuils controlling each of the parameters of Détail. Recorded in Composite NTSC 480i59.94. Let me know in the comments if there is any module combinations you’re curious about!
#analogvideo #videoart #eurorack #analogglitch #glitchart #syntonie #syntoniedetail #syntonieseuils

Long time no sync!

Past month has been quite busy, been working on setting up a fixed video recording setup (finally), and here is the first recording made with it! (Need to work on the lighting still).

The now classic Détail and CBV001 combo, with CBV001 used to process the modulation going to Détail. Getting the best of CBV001 distorsion without worrying about loss of sync as Détail preserves it.

Recorded in Composite PAL 576i50.

Stock of Détail and CBV001 are low, so might be the right time to grab one!

#analogvideo #videoart #eurorack #analogglitch #glitchart #syntonie #cbv001 #syntoniedetail

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Jun 16

Open

Long time no sync! Past month has been quite busy, been working on setting up a fixed video recording setup (finally), and here is the first recording made with it! (Need to work on the lighting still). The now classic Détail and CBV001 combo, with CBV001 used to process the modulation going to Détail. Getting the best of CBV001 distorsion without worrying about loss of sync as Détail preserves it. Recorded in Composite PAL 576i50. Stock of Détail and CBV001 are low, so might be the right time to grab one! #analogvideo #videoart #eurorack #analogglitch #glitchart #syntonie #cbv001 #syntoniedetail